We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Welcome to Shakespeare’s Stages, a resource designed to introduce you to the key features of the theatrical spaces for which Shakespeare wrote his plays, in which he worked as an actor, and in which he had a financial stake. Like Shakespeare’s narrative sources, the members of his acting company, and the political climate of early modern England, these spaces had a powerful shaping influence on the conception, dramatic design, and performance of Shakespeare’s plays.
It would be ideal if history had gifted us an accurate picture of what each of these spaces was like. Sadly, that couldn’t be further from the case: we have no complete picture of any of the London playing spaces from the period, and much of what we (think we) know of the Globe and the Blackfriars can only been inferred from evidence relating to other playing spaces. Reconstructing these spaces requires piecing together fragments: chiefly, the architectural foundations of the Rose, Curtain, and Theatre playhouses, along with a tiny portion of the Globe, and a copy of a Dutch tourist’s sketch of the Swan playhouse’s interior.
Welcome to Shakespeare’s Stages, a resource designed to introduce you to the key features of the theatrical spaces for which Shakespeare wrote his plays, in which he worked as an actor, and in which he had a financial stake. Like Shakespeare’s narrative sources, the members of his acting company, and the political climate of early modern England, these spaces had a powerful shaping influence on the conception, dramatic design, and performance of Shakespeare’s plays.